| 翻訳と辞書 |
| Zainul Abedin ： ウィキペディア英語版 |
Zainul Abedin
Zainul Abedin ((ベンガル語:জয়নুল আবেদিন); 29 December 1914 – 28 May 1976) was a Bangladeshi painter. He got the break through in 1944 with his Famine Series paintings of 1943. After partition he moved to Pakistan; and finally when Bangladesh was created in 1971, he was rightly considered the founding father of Bangladeshi art. He was an artist of exceptional talent and international repute. Like many of his contemporaries, his paintings on the Bengal famine of 1943 is probably his most characteristic work. In Bangladesh, he is referred with honor as ''Shilpacharya'' (Great Teacher of the Arts) in Bangladesh for his artistic and visionary qualities.
==Early life and education==
Zainul Abedin was born in Kishoreganj, East Bengal on December 29, 1914. Much of his childhood was spent near the scenic banks of the Brahmaputra river. Brahmaputra would later appear in many of his paintings and be a source of inspiration all throughout his career. Many of his works framed ''Brahmaputra'' and a series of watercolors that Zainul did as his tribute to the Brahmaputra river earned him the Governor's Gold Medal in an all-India exhibition in 1938.This was the first time when he came under spotlight and this award gave Abedin the confidence to create his own visual style.
In 1933, Abedin was admitted to Calcutta Government Art School in Calcutta. Here for five years he learned British/ European academic style and later he joined the faculty of the same school after his graduation. He was dissatisfied with the orientalist style and the limitations of European academic style and this led him towards realism. He was the pioneer of the modern art movement that took place in Bangladesh. In 1948 he, and with the help of few of his colleagues, founded an art institute in Dhaka. That time there were no art institute present in Dhaka and he was the founding principal of that institute.
After completing his two years of training from an art school in London, he began a new style, "Bengali style", where folk forms with their geometric shapes, sometimes semi-abstract representation, the use of primary colors were the main features. But in all his drawing one thing was prominent that his lack of idea in perspective. Later he realized the limitations of folk art, so he went back to the nature, rural life and the daily struggles of man to combination of art that would be realistic but modern in appearance.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「Zainul Abedin」の詳細全文を読む
スポンサード リンク
| 翻訳と辞書 : 翻訳のためのインターネットリソース |
Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.
|
|